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Evolving the long-form, doom laden prophetics of his debut ‘Sorrow’, David Terry and accordion are joined by Eye Spirit’s voice and cello for four, near half hour; expressions of desolate spiritual drone.
The music is caressed by voice and strings, sometimes seemingly plain in approach, just two instruments, two microphones and a room with a 4-track, but beatific and glorious in execution. ‘The White Horse Of The Sun’ ascends its form into moments of ecstasy struck through a landscape of the bleakly grandiose and opiated. credits.